Coppola is a truly unique director in several ways. Perhaps the one thing that really defines him is that he is NOT defined by his gimmicks. When you watch a film by Martin Scorsese, he may surprise you, but you know that you're going to get some exotic camera movements, some fast paced editing and, if it's set in modern times, "Gimme Shelter" by the Rolling Stones will play at least once. Apocalypse Now defines Coppola's unpredictability.
The film is allegedly based on Heart of Darkness, the novel, but outside of a few key parallels, the two are very different stories, albeit sharing a similar nihilistic tone and a few moments. We follow Martin Sheen as the alcoholic Captain Ben J. Willard, a secret operative who has grown more and more psychotic in his time away from the action.
The only thing he wants is to be put back into action, thriving on the blood lust and having no other purpose in life than to fight. He rots away in his room as choppers fly over head, going stir crazy while awaiting the next assignment.
When Sheen punches the mirror, that wasn't in the script. In fact, the entire production of the film is a tale of legend, of insanity, of incredible difficult and of more odd and unusual happenings than even occur in the film itself. We could discuss them more in depth, but that would take more time than we have for this review, so we'll just focus on the film for now.
From the first scene to the last, the movie is full of fascinating characters and cameos. We see Harrison Ford in the mission briefing scene playing a one-conversation character, and then we meet Cockroach, a character who never speaks, but rather, sleeps through most of his scene, fires a grenade, and goes back to sleep, while remaining the most gripping character in the scene. We have Robert Duvall as Lieutenant Colonel Bill Kilgore, and...
This isn't even getting into the main cast, these characters appear for one scene and then disappear from the film forever. Marlon Brando as Colonel Kurtz doesn't even appear until the very end, but his presence, his mere existence, casts a shadow that commands the entirety of the film, despite his limited screen time, or perhaps, mythologized by his non-presence.
The movie is a success on literally every level. At times it can be quite endearing, when you see the love and camaraderie between the men on Captain Willard's boat. It's often funny, and Coppola has even described it as a comedy. It's exciting, with "Ride of the Valkyries" being amongst the greatest action scenes of all time. But Kurtz's nihilism is what overwhelms the film in the end.
While Coppola claims Rumble Fish as the personal favorite amongst his body of work, his fans typically consider it to be between Apocalypse Now and The Godfather Part II. It is, at the very least, his most wild, insane and epic film to date.
The film is allegedly based on Heart of Darkness, the novel, but outside of a few key parallels, the two are very different stories, albeit sharing a similar nihilistic tone and a few moments. We follow Martin Sheen as the alcoholic Captain Ben J. Willard, a secret operative who has grown more and more psychotic in his time away from the action.
The only thing he wants is to be put back into action, thriving on the blood lust and having no other purpose in life than to fight. He rots away in his room as choppers fly over head, going stir crazy while awaiting the next assignment.
When Sheen punches the mirror, that wasn't in the script. In fact, the entire production of the film is a tale of legend, of insanity, of incredible difficult and of more odd and unusual happenings than even occur in the film itself. We could discuss them more in depth, but that would take more time than we have for this review, so we'll just focus on the film for now.
From the first scene to the last, the movie is full of fascinating characters and cameos. We see Harrison Ford in the mission briefing scene playing a one-conversation character, and then we meet Cockroach, a character who never speaks, but rather, sleeps through most of his scene, fires a grenade, and goes back to sleep, while remaining the most gripping character in the scene. We have Robert Duvall as Lieutenant Colonel Bill Kilgore, and...
This isn't even getting into the main cast, these characters appear for one scene and then disappear from the film forever. Marlon Brando as Colonel Kurtz doesn't even appear until the very end, but his presence, his mere existence, casts a shadow that commands the entirety of the film, despite his limited screen time, or perhaps, mythologized by his non-presence.
The movie is a success on literally every level. At times it can be quite endearing, when you see the love and camaraderie between the men on Captain Willard's boat. It's often funny, and Coppola has even described it as a comedy. It's exciting, with "Ride of the Valkyries" being amongst the greatest action scenes of all time. But Kurtz's nihilism is what overwhelms the film in the end.
While Coppola claims Rumble Fish as the personal favorite amongst his body of work, his fans typically consider it to be between Apocalypse Now and The Godfather Part II. It is, at the very least, his most wild, insane and epic film to date.
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