Director Darren Aronofsky brings pro wrestling to life in 'The Wrestler' and in the process creates one of the best films in recent memory. The pro wrestling backdrop makes his virtuosity even more amazing.
Pro wrestling has been a popular part of American entertainment culture for nearly a century, but until now has been depicted very poorly in the movies. 1962' 'Requiem for a Heavyweight' may be the best wrestling movie ever made until now almost by default. Requiem starred Anthony Quinn as an aging boxer who is at the end of his career and running out of options. After a final knockout he turns to the pro wrestling out of necessity. The unique moral ambiguity of pro wrestling is completely foreign to Quinn's character (I fought 111 fights and never took a dive") and is at the crux of the films dramatic tension.
While Requiem is a praiseworthy film bolstered by solid performances by Quinn and Jackie Gleason and features a number of prizefighting greats including Muhammad Ali, Willie Pep, Jack Dempsey and Barney Ross it is at its core a boxing film. Pro wrestling is portrayed as the lowest, most humiliating avocation for a boxer. While there are certainly those who share this critical assessment of wrestling, it does little to explain its appeal and enduring popularity.
Pro wrestling has been featured in a lot of other movies, almost all with poor results. With the exception of a few movies with a small pro wrestling component (Jim Carrey's excellent portrayal of comedian Andy Kauffman in 'Man In The Moon') and a half dozen or so documentaries, wrestling and movies have never seen eye to eye.
In the starring role of Randy The Ram Robinson, Rourke turns in the performance of a lifetime. Some of the comparisons that critics made--Marlon Brando in On the Waterfront, Paul Newman in The Hustler, and Robert DeNiro in Raging Bull. The need for analogy is due to the fact that Rourke's performance leaves the viewer at a loss for superlatives. Most impressive is the accuracy and detail that both director and actor devote to correctly portraying the pro wrestling milieu.
Aronofsky deftly balances both the appeal and revulsion inherent in pro wrestling. He manages to convey the gritty reality of life at the lower levels of the profession but also the appeal of pro wrestling"why men like The Ram put themselves through hell to stay involved and why hardcore fans care so much. The Wrestler succeeds on both levels, which likely accounts for the effusive praise it has garnered from film geeks who wouldnt know a headlock from a padlock as well as pro wrestling enthusiasts.
Thats what makes Rourkes performance so amazing and The Wrestler such a great film"it simultaneously depicts pro wrestling at its best and worst and gets them both right. We understand how the business can chew people up and spit them out, but also its appeal and why Rourkes character keeps getting back in the ring despite all of the risks and challenges it has created in his life. Aronofsky and Rourke manage to convey the lure and revulsion that is unique to pro wrestling and simultaneously extrapolate them to much larger truths about human existence.
Pro wrestling has been a popular part of American entertainment culture for nearly a century, but until now has been depicted very poorly in the movies. 1962' 'Requiem for a Heavyweight' may be the best wrestling movie ever made until now almost by default. Requiem starred Anthony Quinn as an aging boxer who is at the end of his career and running out of options. After a final knockout he turns to the pro wrestling out of necessity. The unique moral ambiguity of pro wrestling is completely foreign to Quinn's character (I fought 111 fights and never took a dive") and is at the crux of the films dramatic tension.
While Requiem is a praiseworthy film bolstered by solid performances by Quinn and Jackie Gleason and features a number of prizefighting greats including Muhammad Ali, Willie Pep, Jack Dempsey and Barney Ross it is at its core a boxing film. Pro wrestling is portrayed as the lowest, most humiliating avocation for a boxer. While there are certainly those who share this critical assessment of wrestling, it does little to explain its appeal and enduring popularity.
Pro wrestling has been featured in a lot of other movies, almost all with poor results. With the exception of a few movies with a small pro wrestling component (Jim Carrey's excellent portrayal of comedian Andy Kauffman in 'Man In The Moon') and a half dozen or so documentaries, wrestling and movies have never seen eye to eye.
In the starring role of Randy The Ram Robinson, Rourke turns in the performance of a lifetime. Some of the comparisons that critics made--Marlon Brando in On the Waterfront, Paul Newman in The Hustler, and Robert DeNiro in Raging Bull. The need for analogy is due to the fact that Rourke's performance leaves the viewer at a loss for superlatives. Most impressive is the accuracy and detail that both director and actor devote to correctly portraying the pro wrestling milieu.
Aronofsky deftly balances both the appeal and revulsion inherent in pro wrestling. He manages to convey the gritty reality of life at the lower levels of the profession but also the appeal of pro wrestling"why men like The Ram put themselves through hell to stay involved and why hardcore fans care so much. The Wrestler succeeds on both levels, which likely accounts for the effusive praise it has garnered from film geeks who wouldnt know a headlock from a padlock as well as pro wrestling enthusiasts.
Thats what makes Rourkes performance so amazing and The Wrestler such a great film"it simultaneously depicts pro wrestling at its best and worst and gets them both right. We understand how the business can chew people up and spit them out, but also its appeal and why Rourkes character keeps getting back in the ring despite all of the risks and challenges it has created in his life. Aronofsky and Rourke manage to convey the lure and revulsion that is unique to pro wrestling and simultaneously extrapolate them to much larger truths about human existence.
About the Author:
Ross Everett is a experienced freelance writer experienced in travel, poker and sports handicapping. He is a staff handicapper for Anatta Sports where he is responsible for providing daily free sports picks. In his spare time he enjoys fine dining, fencing and deep sea diving. He lives in Southern Nevada with four dogs and a pet coyote.
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